My work lives at the intersection of performance, technology, and the body.

I am fascinated by questions around embodiment, memory, quantum states of feeling, and our imperfect humanity. I’m especially drawn to the tension between the mechanical and the organic, the controlled and the chaotic, the performed and the authentic. Through this, I aim to create spaces where audiences can feel something not just intellectually, but viscerally.

As a movement artist and creative technologist, I create experiences that bridge the sensorial and the digital—where somatic intelligence, improvisation, and real-time media weave together into living systems of expression.

Ultimately, I want my work to dissolve boundaries—between disciplines, between the internal and external, and between artist and viewer. I believe in art as an invitation: to feel more, to sense more, and to remember the strange, beautiful complexity of being alive.